I’m pretty sure that that’s the latest build… maybe…

And the original thread with some goofy Christmas art in it!

And be sure to check out Fairly’s review of the first two Professor Layton games below. A pretty good way to understand more about World 3 is to understand how we both feel about the games we play. Remember, I’m just a gamer making games that I would want to play!

Of course I go and find a bunch more options that would have helped out more after finishing the thing (a guide layer, particularly), but hey, it’s a fun little program, good for practice. I have to go upload all the pictures from Comic Con somewhere and I’ll make another post soon. Got some new test animation for World 3 that I’ll post after that, heh.

Guys, I have never had a game make me feel this absolutely emotionally involved before.

I cried. The friggin game made me cry, it was that beautiful.

I don’t even know how I am going to go about writing this review, it will come soon. Tune in for it guys because I want this review to reflect exactly how I feel about this game.

As most of you know, I had the pleasure of attending Comic Con 2009 with Brad this year. My apologies for breaking off from my regular gaming reviews, but I hope that some of you would be interested in hearing a little about the experience of Comic Con.

It’s crowded, horribly crowded, and I’m sure the excessive amount of Twilight fans that decided to attend this year didn’t help. You go through over 5000 booths and sometimes you end up lodged inbetween a booth you don’t want to see and another booth you really don’t want to be caught dead even glancing at.

However, the whole experience gave me a strange sort of glimmer of hope. I saw appreciation everywhere, even in those crazy cosplayers, there was just utter appreciation. I’ve never seen any kind of celebrity act as graciously as the ones from the “interwebz”, and there are quite a few big ones. I’m sure there are a few bad seeds every now and then, but I didn’t meet one in my whole experience.

As a 24 year old sometimes it can be a bit disturbing to see what can pass off as art or as animation nowadays. When you are raised on the good ol’ 80s cartoons of yesteryear you tend to cringe at the popularity of things like SpongeBob Squarepants and  . . . well . . . every single CGIed version of a cartoon that hangs around on TV nowadays. You don’t see the same talent and love for smoothness and lines or even for general beauty. It’s slap it on a lunchbox and sell it as soon as possible.

I was sorely disappointed to go to a panel and hear about how they’d released their game on everything except for maybe a box of wheaties and they reveled in it. REVELED in being total sellouts (I’m looking at YOU EpicGames). Even more disturbing were the hordes that worshipped that kind of behavior but I won’t get into that . . .

On the OTHER side of Comic Con I managed to see a completely different side to all of it.

Brad and I spent a lot of time at the Behemoth booth, anyone know Behemoth? Castle Crashers anyone? I swear if you still have no idea what I’m talking about I will give you a verbal lashing later

In that whole Behemoth experience I found something that I really thought had managed to disappear. A complete and total love for doing what one loves doing. Tom Fulp and Dan Paladin, both sitting at a booth smiling and talking to fans, signing t-shirts, and even walking around and talking to those that were testing out their new venture (btw it looks awesome). Then there were the guys that had come in as exhibitors that know Tom and Dan through their well known site Newgrounds. I had the pleasure of being able to get to know these guys on a somewhat personal basis (I won’t call them my best friends, I worry if they will ever speak to me again after I write this) and I was utterly amazed. The best way I can describe this is through a personal experience that will help to relate to it.

I don’t know how many of you know, but I sing. I love music and I desperately want to perform in general, nothing will be quite like performing in front of people, knowing that you’re amazing, and making the people listening HAPPY. It’s a type of high that can’t be replaced by anything. To these guys, their art, their code, their animations are their “Music” (at least that’s how I saw it). What was even more amazing was despite how we all realize that credit is not always given where it’s due and it’s always obnoxious when we seen someone deserving get passed over because some guy who can kind of draw is related to some dude etc etc none of them seemed disillusioned at all. I only use that word or even that thought because that’s what pretty much destroyed my passion for opera. I realized if I wasn’t in the scene then I wasn’t in THE scene, and that was it. I was done. I hated seeing people doing destructive things to their voices and obviously not taking what they were doing seriously constantly getting elevated to some sort of superstar status. These guys, these flash coders, animators, and artists had managed to keep the music.

It was completely fascinating to watch them walk around with their sketchbooks attached to their hips or constantly swapping different ideas for code and they HELP each other. There is nothing cutthroat about it. In the ways of the world this is just utterly amazing to me.

I had one of the more well known animators pull a few of his fans into his own conversations. You never even saw one of them get flushed with anger of disappointment when someone would ask them where some other developer/animator was. It was always smile and point, or even give them an in depth description on where the developer/animator might be or when he/she might be returning.

When you walk into their group it’s almost like you automatically are just drawn into this blackhole of awesomeness that is their interaction. I managed to score about twenty minutes of listening in on their business conversations and they might as well be talking about the next big game being released, they are THAT excited about their work.

There are no sell outs in the group. Despite the fact that occasionally they stray off course to do a job to put some bread on the table they all have their “babies”, I’d prefer to put it as their own personal symphonies that they will never forget. They refuse to skimp out on a few notes just to save time and to put out a quick release. At that point I felt a little tinge of guilt because I’m so very impatient to see new stuff, I never complain and whine about it, but the fact that I almost forget the work put into those shorts I so love . . . It’s a bit of a humbling experience.

The most wonderful and, I believe, the most rare trait that all of these “musicians” have is not only their ability to draw inspiration from anything (including each other) but their ability to inspire those around them. I can’t tell you how many times during all of the conversations I heard, all of the sketches I saw drawn, I just wanted to go out and do something. Not for the fame, not for the bragging rights, just to create. That’s all these guys want to do and I almost feel that they (at least the ones I met) managed to be born without that horrible sell out gene that most people seem to hold close to their hearts nowadays.

Not only that, but there is this incredible humility about them. I sat down and watched an animation from one of the guys I met, REALLY watched, and listened to Brad as he told me all the work that had to go into it. It was awesome. The guy who made the animation also happens to be one of the most humble people I have ever met. After going to an art school with a bunch of hoity toity omg I am the most amazing thing ever, you really start to appreciate humility. So humble are these guys that they don’t even want to talk about what they’re working on, they want to talk about what YOU’RE working on. Even if it has nothing to do with their profession! These guys don’t tear each other down, they build each other up. I can’t tell you how many times I asked about another animator/developer and these guys would talk about how talented the other guy is. One of the guys even said of another “If that guy learns to code then we’re all out of the job.” and everyone nodded and laughed. No bitterness, just the pure joy out of having someone that talented in their group. They love new talent and they appreciate old talent.

Even better, these guys don’t expect hero worship, they don’t even really prefer it. They just like hearing that someone loves their work and their faces light up when someone tells them thank you. I loved watching them fold their arms across their chest and listen intently when a fan talked about what they loved about their work, when the fan truly KNEW the work even if they admitted to writing long critiques in the comment section. A girl told one of the animators that she tends to write long critiques and he said “Oh well those can be the best kind, I’m sure I’ve read it if you wrote it.”

Not about making themselves happy, it’s about making the fans happy. They are what I consider the truest form of the businessman and, to maybe throw out a title I don’t throw out a lot, true gentlemen.

I was happy to have a few moments to have this insight because it gave me even more of an appreciation for what they do. Thank you to all of you out there in this wide world web that spends your days placing semicolons, speaking into microphones in weird voices, or being glued to your sketchbook because there is an idea you have to get down. Thank you.

I also want to thank the guys who allowed me to spend time with them despite my crazy behavior: JohnnyUtah, Tom Fulp, Swain, AfroNinja, NegativeOne, fr0zen,EgoRaptor, HappyHarry, AlmightyHans, TomaMoto, Jonas, Mike, and so many others. Thanks guys.

They need to update the SkyMall magazine, some of the crazy scams in there are already outdated by crazier, more futuristic sounding scams!

I just realized that there’s an ad on the back of the magazine… Isn’t the whole thing a magazine full of ads…?

Lake Tahoe is pretty dang sweet.

Anyways, music is a big part of The Fancy Pants Adventures, not just the in game music, but the background music that I listen to while working on it. See, I do a whole lot of sitting and working at the computer (makes up a good majority of my work, really), so to keep sane, I usually have a constant stream of music in the background.

Very gameplay focused animation is extremely rhythm centric, so having something with a solid rhythm in the background helps get my mind into a good state for animating. So in a way, you could consider a good deal of these songs as alternate background music for whatever games I was working on when I listened to them the most.

Gameplay is an art, music is an art. Both can create emotions that can’t be easily conveyed in words, so during production, I usually run into a few songs that I dig that seem to help convey the intangible qualities of gameplay that I’m going for.

Click on for a big ol list of musics!

Bad Sun by The Bravery was an important one during World 2, it’s a quick tune with a driving bass line that I felt really well represented the driving energy of Fancy Pants Man in World 2.

We Used to Be Friends by The Dandy Warhols is extremely upbeat, sort of obnoxious, pretty goofy, and can’t seem to be able to take itself seriously. Much less of a direct influence than just what I think gameplay should be: over the top and crazy.

A friend of mine once said that The Boxer by Carbon Leaf is the most ‘Brad’ song there is, so I’m putting it up here, not for much of a reason though, heh.

I’m going to have to start listing CDs here that I play through when I’m working because this is taking too long and I have to drive back home soon. I’ll try to find links for them when I get back home:

Echo Echo – Carbon Leaf
The Crane Wife – The Decemberists
Lost Souls – Doves
El Cielo – Dredg
Horrorscope – Eve 6
Dookie – Green Day
Keep It Together – Guster
Lost and Gone Forever – Guster
Now It’s Overhead – Now It’s Overhead
Dark Light Daybreak – Now It’s Overhead
Oceans Will Rise – The Stills
A Town and Two Cities – Your Vegas

So, feel free to chime in. Recognize any of those albums? Got any more I should check out? Seems to be too hard to find a CD that’s a good listen all the way through nowadays…

(and it’s still Monday over here )

Bad Sun by The Bravery was an important one during World 2, it’s a quick tune with a driving bass line that I felt really well represented the driving energy of Fancy Pants Man in World 2.

We Used to Be Friends by The Dandy Warhols is extremely upbeat, sort of obnoxious, pretty goofy, and can’t seem to be able to take itself seriously. Much less of a direct influence than just what I think gameplay should be: over the top and crazy.

A friend of mine once said that The Boxer by Carbon Leaf is the most ‘Brad’ song there is, so I’m putting it up here, not for much of a reason though, heh.

I’m going to have to start listing CDs here that I play through when I’m working because this is taking too long and I have to drive back home soon. I’ll try to find links for them when I get back home:

Echo Echo – Carbon Leaf
The Crane Wife – The Decemberists
Lost Souls – Doves
El Cielo – Dredg
Horrorscope – Eve 6
Dookie – Green Day
Keep It Together – Guster
Lost and Gone Forever – Guster
Now It’s Overhead – Now It’s Overhead
Dark Light Daybreak – Now It’s Overhead
Oceans Will Rise – The Stills
A Town and Two Cities – Your Vegas

So, feel free to chime in. Recognize any of those albums? Got any more I should check out? Seems to be too hard to find a CD that’s a good listen all the way through nowadays…

(and it’s still Monday over here )

Bad Sun by The Bravery was an important one during World 2, it’s a quick tune with a driving bass line that I felt really well represented the driving energy of Fancy Pants Man in World 2.

We Used to Be Friends by The Dandy Warhols is extremely upbeat, sort of obnoxious, pretty goofy, and can’t seem to be able to take itself seriously. Much less of a direct influence than just what I think gameplay should be: over the top and crazy.

A friend of mine once said that The Boxer by Carbon Leaf is the most ‘Brad’ song there is, so I’m putting it up here, not for much of a reason though, heh.

I’m going to have to start listing CDs here that I play through when I’m working because this is taking too long and I have to drive back home soon. I’ll try to find links for them when I get back home:

Echo Echo – Carbon Leaf
The Crane Wife – The Decemberists
Lost Souls – Doves
El Cielo – Dredg
Horrorscope – Eve 6
Dookie – Green Day
Keep It Together – Guster
Lost and Gone Forever – Guster
Now It’s Overhead – Now It’s Overhead
Dark Light Daybreak – Now It’s Overhead
Oceans Will Rise – The Stills
A Town and Two Cities – Your Vegas

So, feel free to chime in. Recognize any of those albums? Got any more I should check out? Seems to be too hard to find a CD that’s a good listen all the way through nowadays…

(and it’s still Monday over here )

Look Ma! I’m on teh interwebz!

Anyways, from what I hear, everything will be streamed live, once I get some details on that, I’ll update this post.

Anyone who’s going to be at GDC who wants to get in touch with me, shoot me an email. Sorry if I told you that I wasn’t going earlier, this is all super last minute…

Update: Ah, here’s the stream’s channel. Got a spiffy little chat there and everything.

And of course, here’s the programs. The award show and the panel that I’m on are the ones to watch Wish me luck!

Also as a side note, I have a plugin for WordPress that’s half working, if anyone wants to get emailed every time there’s a new post on my site, just send an email to the address on the Contact Me page. If you want to keep it simple, just put ‘add me’ as the subject.

Anyways, figured I’d expand this post a bit, since Newgrounds is a huge part of my Flash games career, maybe even the only reason I ever got into Flash in the first place. So here’s a nice little story for anyone who really cares

Click below to read it!

Now, I’ve always had a problem with the Web 2.0 moniker. Not that I have anything against user generated content or rich media content, since my games are technically both. But see, that’s the thing, long before the intertubes was proclaimed to be at version two point oh, some friends and I would gather around the computer, waiting for very silly or very very crude user created Flash movies to download over a 56k modem. A few of those really stood out to me. First was the Kermit Kombat series by Rocky Pinnicle of Neptune Circle . It was the first time that I saw a homegrown cartoon series with characters and a running plot that I actually cared about. You could tell that it was something that was just made by one guy just having fun, and really made me thing, man, I’d love to be able to publish something online that people actually care about.

Now I had been watching Flash videos for awhile, Newgrounds, shockwave.com had episodes of Dilbert and other cartoon shorts back then, can you believe there was actually a time when video on the internet was a rarity that I actually sought out because it was so cool? This was the days of the awful Real Player, and compared to full streaming video, Flash cartoons usually didn’t have much buffer time. I think the first time I had seen an actual game made by a single person in Flash that used any sort of physics was Gravity Ball II created by one of the early members of Tomorrow’s Nobodies. And of course, the legendary Alien Hominid by Tom Fulp and Dan Paladin proved once and for all that you can create a console quality game entirely in Flash.

I didn’t go directly into Flash programming, though. I had played around with BASIC on a Ti-86 in high school, but that was the extent of it. See, there was a time when I played around with video editing a lot, making music videos and stuff like that, and I started playing around with stop motion animation around the time that Robert ‘Knox’ Benfer was uploading his ‘klay’ shorts to Newgrounds. Realizing that Flash could do video (yes, Flash could stream video for years and years now, and it was just as bad then as it is now), I used that as an excuse to download a Flash trial and poke around with it.

So yeah, my first ever submissions to the interwebs were stop motion animations. They’re still on Newgrounds, but I’m not sure how many people have actually looked.

Eventually I started playing around with Actionscript, the first movie I submitted didn’t even have a preloader!

So yeah, as far as I’m concerned, Flash and what shareholders like to call ‘Web 2.0′ started years and years ago with Newgrounds. I really wouldn’t be here now if it weren’t for Newgrounds, and I’m sure that there are tons of artists out there who could say the same thing.

http://www.newgrounds.com/portal/view/486001